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Harmony and Voice Leading, for Aldwell/Schachter's Harmony...

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Harmony and Voice Leading, for Aldwell/Schachter's Harmony and Voice Leading

Edward Aldwell, Carl Schachter

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Provides material for homework assignments, classroom demonstrations, and periodic reviews. A generous assortment of excerpts from the literature for assignments in analysis. Volume I corresponds with the first half of the text.

კატეგორია:

ტომი:

Volume 1

წელი:

2003

გამოცემა:

3ed.

გამომცემლობა:

Thompson Schirmer

ენა:

english

გვერდები:

626

ISBN 10:

0155062263

ISBN 13:

9780155062269

ფაილი:

DJVU, 13.61 MB

IPFS:

,

english, 2003

ონლაინ წაკითხვა

ხორციელდება კონვერტაციის -ში

კონვერტაციის -ში ვერ მოხერხდა

შესაძლოა დაგაინტერესოთ

Ernst Krenek — Studies in Counterpoint Based on the Twelve-Tone Technique

Johann Georg Albrechtsberger — J.G. Albrechtsberger's collected writings on thorough-bass, harmony, and composition, for self instruction : with many explanatory examples

John Collins — Counterpoint and How to Use it in Your Music

Ludmila Ulehla — Contemporary Harmony: Romanticism Through the Twelve-Tone Row

John Thomas — Voice Leading For Guitar

Paul Hindemith — Elementary Training for Musicians

Stefan Kostka, Dorothy Payne — Workbook for Tonal Harmony: With an Introduction to Twentieth-Century Music, 5th Edition

Bruce Benward, Marilyn Saker — Music in Theory and Practice, Vol. 1 , Eighth Edition

Bruce Benward — Music in Theory and Practice, Volume 2

Kent Kennan — Counterpoint (4th Edition)

Kent Kennan — Counterpoint

Edward Aldwell, Carl Schachter — Workbook: harmony and voice leading

Edward Aldwell; Carl Schachter — Workbook: Harmony And Voice Leading

Edward Aldwell, Carl Schachter — Harmony and Voice Leading: Workbook (Volume 2, Second Edition)

Peter Schubert — Modal Counterpoint, Renaissance Style

Carl Schachter, Joseph N. Straus — Unfoldings: Essays in Schenkerian Theory and Analysis

James A Hepokoski; Warren Darcy — Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata

Robert Gjerdingen — Music in the Galant Style

Peter Schubert — Modal Counterpoint, Renaissance Style

Steven Rings — Tonality and Transformation (Oxford Studies in Music Theory)

Giorgio Sanguinetti — The Art of Partimento: History, Theory, and Practice

Steven G. Laitz — The Complete Musician: An Integrated Approach to Theory, Analysis and Listening

Steven G. Laitz — The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening

William E. Caplin — Analyzing Classical Form: An Approach for the Classroom

Richard Taruskin — Oxford History of Western Music - The Complete 5 Volume Set

David Beach — Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form

James Harley — Xenakis: His Life in Music

Felix Salzer, Carl Schachter — Counterpoint in Composition

David Huron — Voice Leading: The Science Behind a Musical Art

Michael L. Friedmann — Ear Training for Twentieth-Century Music

Roy Howat — The Art of French Piano Music: Debussy, Ravel, Fauré, Chabrier

Johann Joseph Fux, Alfred Mann — Study of Counterpoint: From Johann Joseph Fux's Gradus Ad Parnassum

Walter Piston — Orchestration

Jane Piper Clendinning, Elizabeth West Marvin — The Musician's Guide to Theory and Analysis (Third Edition) (The Musician's Guide Series)

Jane Piper Clendinning, Elizabeth West Marvin — The Musician's Guide to Theory and Analysis Workbook (Third Edition) (The Musician's Guide Series)

Elizabeth Marvin, Jane Piper Clendinning, and Joel Phillips — The Musician’s Guide to Fundamentals

Kent D. Cleland, Mary Dobrea-Grindahl — Developing Musicianship Through Aural Skills: A Holistic Approach to Sight Singing and Ear Training

Thomas Benjamin — The Craft of Modal Counterpoint

Ed Sarath — Music Theory Through Improvisation: A New Approach to Musicianship Training

Alfred Mann — The Study of Fugue

Edward Aldwell, Carl Schachter, Allen Cadwallader — Harmony & Voice Leading (4th edition)

Peter Burt — The Music of Toru Takemitsu (Music in the Twentieth Century)

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