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Early Netherlandish painting - Its origins and character

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Arts - History & Criticism
Early Netherlandish painting - Its...

Early Netherlandish painting - Its origins and character

Erwin Panofsky

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Early Netherlandish painting its origins and character by Erwin Panofsky Charles Eliot Norton lectures -- 1947-1948 Nearly 600 pages of text and plates. «One of the greatest books ever written in the field of art history.» -- George Henderson

კატეგორია:

Arts - History & Criticism

წელი:

1966

გამოცემა:

4th edition

გამომცემლობა:

Harvard university Press

ენა:

english

გვერდები:

632

ფაილი:

PDF, 100.05 MB

IPFS:

,

english, 1966

ონლაინ წაკითხვა

ხორციელდება კონვერტაციის -ში

კონვერტაციის -ში ვერ მოხერხდა

შესაძლოა დაგაინტერესოთ

Erwin Panofsky — Perspective as Symbolic Form

Erwin Panofsky — Meaning in the Visual Arts

Jacob Burckhardt — The Civilization of the Renaissance in Italy

Erwin Panofsky — The Life and Art of Albrecht Dürer [No illustrations!]

Erwin Panofsky — Meaning in the Visual Arts: Papers in and on Art History

Jacques Lassaigne, Robert L. Delevoy, Stuart Gilbert (transl.) — Flemish Painting - From Hieronymus Bosch to Rubens

Anthony Blunt — Art and Architecture in France, 1500 to 1700

Anthea Peppin, William Vaughan — Flemish Painting

Erwin Panofsky — Tomb Sculpture Four Lectures on Its Changing Aspects from Ancient Egypt to Bernini

Erwin Panofsky — Gothic Architecture and Scholasticism An Inquiry into the analogy of the arts, philosophy and religion in the Middle Ages

Kahsnitz, Rainer, William D. Wixom — Gothic and Renaissance Art in Nuremberg, 1300–1550

Otto Benesch — The Art of the Renaissance in Northern Europe

Oliver J. — Early Netherlandish Painting at the National Gallery of Art

Clark Kenneth — The Nude: A Study in Ideal Form [reprint 1956]

Panofsky Erwin, Saxl Fritz. — Classical Mythology in Medieval Art

Erwin Panofsky — La vita e le opere di Albrecht Dürer

【荷】约翰.赫伊津哈 — 中世纪的衰落

Francis Haskell — Patrons and Painters: A Study in the Relations Between Italian Art and Society in the Age of the Baroque

Ivan Illich — Deschooling Society

Sue Roe — The Private Lives of the Impressionists

Erwin Panofsky — Studies in Iconology: Humanistic Themes in the Art of the Renaissance

Emile Male — The Gothic Image: Religious Art in France of the Thirteenth Century (Icon Editions Series)

Erwin Panofsky; translated by Joseph J. S. Peake — Idea: A Concept in Art Theory

Rudolf Wittkower — Art and Architecture in Italy, 1600 to 1750

Michael Baxandall — Painting and Experience in Fifteenth Century Italy

Giorgio Vasari — The Lives of the Artists (Oxford World's Classics)

Susie Nash — Northern Renaissance Art (Oxford History of Art)

Wesley C. Salmon — Causality and Explanation

Theodore Sider — Four-Dimensionalism: An Ontology of Persistence and Time

Svetlana Alpers — The Art of Describing

Hans Belting — Likeness and Presence: A History of the Image Before the Era of Art

Hans Belting, Christopher S. Wood — The End of the History of Art?

Peter Gärdenfors — Conceptual Spaces: The Geometry of Thought

Gregory L. Murphy — The Big Book of Concepts

Alva Noe, Evan T. Thompson — Vision and Mind: Selected Readings in the Philosophy of Perception

Erwin Panofsky — Three Essays on Style

Michael Baxandall — Patterns of Intention: On the Historical Explanation of Pictures

Maryan W. Ainsworth, Keith Christiansen (eds.) — From Van Eyck to Bruegel. Early Netherlandish Painting in The Metropolitan Museum of Art

Ms. Janet Abramowicz — Giorgio Morandi: The Art of Silence

Paula Nuttall — From Flanders to Florence: The Impact of Netherlandish Painting, 1400–1500

Erwin Panofsky — Early Netherlandish Painting Volume 2: Its Origins and Character

Erwin Panofsky — Meaning in the Visual Arts: Papers in and on Art History

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